Allcaps Youth
series of animations done for YOUTH typeface designed by Jan Novak available via Allcaps type.
Youth might have skipped class once or twice – but it has learned a lot from the ‘Bauhaus’ genre of the phototypesetting era. The style has been reimagined with dynamic rounded corners and lively proportions, creating an unprecedented energy in bold cuts. Youth is systematic in appearance but not modular in construction. Instead, optically corrected curves create a contemporary balance that improves upon the style of its film-based ancestors. A distinctively high x-height facilitates use in headlines and lead paragraphs, while unexpected turns in drawing give the font a distinct character. As a shout out to Herb Lubalin,¹ David L Burke² and other designers from the phototypesetting/Letraset years of the late 60s and 70s, Youth has multiple stylistic sets, including one featuring lightweight, contrasting diacritics, as well as a wide range of alternative characters (both kinetic and geometric) that give the typeface extra universality for branding and identity projects.
text via Allcaps
Allcaps Youth
series of animations done for YOUTH typeface designed by Jan Novak available via Allcaps type.
Youth might have skipped class once or twice – but it has learned a lot from the ‘Bauhaus’ genre of the phototypesetting era. The style has been reimagined with dynamic rounded corners and lively proportions, creating an unprecedented energy in bold cuts. Youth is systematic in appearance but not modular in construction. Instead, optically corrected curves create a contemporary balance that improves upon the style of its film-based ancestors. A distinctively high x-height facilitates use in headlines and lead paragraphs, while unexpected turns in drawing give the font a distinct character. As a shout out to Herb Lubalin,¹ David L Burke² and other designers from the phototypesetting/Letraset years of the late 60s and 70s, Youth has multiple stylistic sets, including one featuring lightweight, contrasting diacritics, as well as a wide range of alternative characters (both kinetic and geometric) that give the typeface extra universality for branding and identity projects.
text via Allcaps